by Karen Herzog, At: Milwaukee Journal Sentinel
Video clip about John Barbour's latest film and write up by George Knapp, on: Las Vegas Now
In this final installment of his review of the History Channel series, Arnaldo Fernandez concludes: “With Castro as vantage point instead of the CIA, Baer was not tracking Oswald to articulate a true picture of the past, but to drive the historical truth away.”
After mixing Oswald with the anti-Castro and CIA-backed paramilitaries of Alpha 66 in a weird pot made of “special intent to kill President Kennedy soup”, Baer keeps on blighting a big-budget TV show by ignoring the body of the evidence, writes Arnaldo Fernandez. With an insert by Milicent Cranor on the History Channel's version of the "jet effect".
For many, many years now Holland has been ignoring the declassified records of the ARRB. Even when he was supposed to be reporting on those files. The fact that he still does so, even on the eve of their final disbursement, tells us all we need to know about him, concludes Jim DiEugenio.
Frank Cassano and Arnaldo Fernandez return with a review of part 4 of the The History Channel series, entitled “The Cuban Connection,” in which Baer and Bercovici stage what our authors call “a hell of a sleight of hand”: the claim that the anti-Castro Cubans collaborated with the pro-Castro, Marxist wannabe killer Oswald, in order to get rid of JFK – a collaboration the CIA and FBI completely missed.
Along with Arnaldo Fernandez, Frank Cassano continues the critical tracking of this History Channel series – apparently no longer being aired in the United States – with a review of part 3, “Oswald Goes Dark”.
While advertising ad nauseam that his “new investigation” uncovers “new evidence”, Baer remains tethered to a pair of fallen trees: The Warren Commission Report and the Red conspiracy theory masterminded by the CIA. Both have long been knocked down, writes Arnaldo Fernandez.
Bob Baer announces his "Shenonism" by presenting long-known facts as somehow exciting new findings. He then conveys them to the viewer as a big deal, because the Warren Commission couldn’t grasp them. Baer simply overlooks or—even worse—sweeps under the carpet all the sound research performed after the JFK Records Act, writes Arnaldo Fernandez.