For many, many years now Holland has been ignoring the declassified records of the ARRB. Even when he was supposed to be reporting on those files. The fact that he still does so, even on the eve of their final disbursement, tells us all we need to know about him, concludes Jim DiEugenio.
Arnaldo Fernandez, assisted by Frank Cassano, returns with a review of part 4 of the The History Channel series, entitled “The Cuban Connection,” in which Baer and Bercovici stage what our authors call “a hell of a sleight of hand”: the claim that the anti-Castro Cubans collaborated with the pro-Castro, Marxist wannabe killer Oswald, in order to get rid of JFK – a collaboration the CIA and FBI completely missed.
With the assistance of Frank Cassano, Arnaldo Fernandez continues the critical tracking of this History Channel series – apparently no longer being aired in the United States – with a review of part 3, “Oswald Goes Dark”.
While advertising ad nauseam that his “new investigation” uncovers “new evidence”, Baer remains tethered to a pair of fallen trees: The Warren Commission Report and the Red conspiracy theory masterminded by the CIA. Both have long been knocked down, writes Arnaldo Fernandez.
Bob Baer announces his "Shenonism" by presenting long-known facts as somehow exciting new findings. He then conveys them to the viewer as a big deal, because the Warren Commission couldn’t grasp them. Baer simply overlooks or—even worse—sweeps under the carpet all the sound research performed after the JFK Records Act, writes Arnaldo Fernandez.
As I have written elsewhere, we will never really know the complete extent of Garrison’s files, because so many of them were lost, stolen or incinerated by his successor, the disastrous Harry Connick. But what did survive reduces Epstein’s weird world to rubble, concludes Jim DiEugenio.
Jim DiEugenio reviews the career of Edward J. Epstein, who has recently come under attack for his concoctions concerning Edward Snowden – all too familiar to students of the JFK assassination in the way they echo his equally questionable construction of Oswald as Soviet agent.
The most inadvertently humorous part of Carpenter’s pathetic essay comes at the end. There he praises Oliver Stone for helping create the declassification process of the ARRB. Why is that funny? It's funny because this essay does not use any of those ARRB declassified documents it credits Stone for releasing, quips Jim DiEugenio.