In the second installment of this book review/essay, Jeff Carter focuses on questions of authenticity, alteration, and the NPIC analyses which occurred over the week-end of the assassination but which the CIA later tried to deflect and all but make disappear from the record.
The first in a two-part installment in which Jeff Carter reviews a book that "reveals some new – albeit not earth-shattering – information", but is also "imbued with a certain partisanship, not limited to family interests, which dulls the author’s critical thinking in some key areas."
By Michael Overall, At: Tulsa World (originally published November 22, 2013)
Whoever decided that this script needed to be played out on the wide screen of a darkened theater was simply wrong. It seems that the writer and director realized that mistake on the way to production. They then tried to justify that decision. In this reviewer’s opinion, it did not work, writes Jim DiEugenio.
Jim DiEugenio concludes: "Overall, this two-disc set is much worth purchasing and watching. How many DVD sets chronicle three history-making events? One dealing with our political system, one dealing with the struggle for American civil rights, and one with a stylistic revolution in film technique?"
My advice about this heavily weighted apparatus [11.22.63] which produces next to nothing is to avoid it at all costs. All it really produces is more money for King and J. J. Abrams – like they need it. It is nothing more than a stupid, demeaning waste of time, concludes Jim DiEugenio.
A well wrought, smaller piece of chamber music, telling the story of how part of the Vietnam nightmare was constructed and the efforts of those who did what they could to try and correct it, writes Jim DiEugenio.