In response to a scene in John Barbour's recent film, Jim DiEugenio once again drives home the contradictions, lack of attention to scholarly standards of historical analysis, and dishonesty in the position adopted by Noam Chomsky on both JFK's presidency and the facts and circumstances of his assassination.
As I have written elsewhere, we will never really know the complete extent of Garrison’s files, because so many of them were lost, stolen or incinerated by his successor, the disastrous Harry Connick. But what did survive reduces Epstein’s weird world to rubble, concludes Jim DiEugenio.
In tribute to Dr. King, we rerun three of the best pieces from Probe magazine concerning the civil trial in Memphis which concluded by exonerating James Earl Ray of King's murder.
Extralegal assassinations, unwarranted domestic surveillance, interventionist wars at the behest of corporate interests, torture or other activities of that stripe – these all have their roots in the Dulles era in which covert, corporate power developed into a well-oiled and unaccountable machine running roughshod. These dark forces have continued to operate regardless of who is elected president; and the refusal to face them has caused the Democratic Party to lose its way, writes Alex Sill.
Aside from Shane O'Sullivan's mostly worthwhile Killing Oswald, there has been very little of note that has even attempted to counter the MSM's seemingly endless deluge of propaganda with reliable evidence and solid reasoning. A Coup in Camelot clearly aims to fill that void. Unfortunately, however, it falls considerably short of the mark, writes Martin Hay.
Author James DiEugenio looks back at Warren Hinckle's career and discusses the uniqueness and importance of Ramparts.
A well wrought, smaller piece of chamber music, telling the story of how part of the Vietnam nightmare was constructed and the efforts of those who did what they could to try and correct it, writes Jim DiEugenio.
This film is much worth seeing. And it deserved a much larger platform than it got last year. Right now, it's the best screen depiction of Kennedy's foreign policy that I know of, writes Jim DiEugenio.