Jim DiEugenio redresses the historical and academic dishonesty of Michael Kazin’s thinly veiled screed against President John F. Kennedy under the guise of a review of a biography that only covers his life through 1956 by meticulously articulating the facts of Kennedy's domestic and foreign policy positions.

Aaron Good continues his review of Adam Curtis’ Can’t Get You Out of My Head with Part 2, which explores how Curtis relies heavily on Kerry Thornley in developing his bizarre take on “conspiracy theories” and then omits, distorts, and cherry picks facts to present his interminable exploration of our current dystopia.

With the looming October deadline for President Biden’s decision on the release of the remaining files from the JFK Records Act, Benjamin Cole reviews President Trump’s recent history with the National Security State and revisits President Nixon’s interactions with CIA director Richard Helms with implications toward the JFK assassination.

Jim DiEugenio reviews Martin Scorsese and Robert DeNiro’s long and expensive new film, The Irishman, which propagates many of the myths surrounding Frank Sheeran found in Brandt’s book.

Jim DiEugenio exposes some serious problems with Charles Brandt’s I Heard You Paint Houses, casting doubt on the veracity of many of the key stories.

A thoroughly mediocre rendering of a tumultuous year. Mediocre in every way, including aesthetically, concludes Jim DiEugenio.

Listen to the interview with David Giglio (Our Hidden History)