Jim DiEugenio discusses reactions to his review of Lamar Waldron's Legacy of Secrecy.
One of the most puzzling things about Ultimate Sacrifice is that some have actually taken it seriously. Peter Scott has said it is well documented. My question to Peter: Well-documented with what? Frank Ragano and Ed Partin? If you don't analyze the footnotes you might be impressed, writes Jim DiEugenio.
With what the authors have now done to Williams' credibility, plus the near universality of agreement on the true nature of the C -Day plans, the end should be spelled out for this entire "second invasion" thesis, writes Jim DiEugenio.
At the height of the cold war, Kennedy found a way to inch back from the nuclear precipice. Under relentless pressures to go to war, he kept the peace. He talked to his enemies; he recognized the limits of American power; he understood that our true power came from our democratic ideals, not our military prowess. He is still a man ahead of his time, writes David Talbot.
The Good Shepherd was subtitled in its trailer, “The Untold Story of the Birth of the CIA.” This is a real misnomer, since most of the “untold” actual events are immediately recognizable to anyone who has a cursory knowledge of the history of the CIA. In another sense the subtitle is true since the story it tells is very liberally fictionalized. In that sense, it is untold, writes Philip Sheridan.
Despite its up and downs, overall this is a worthwhile and unique book. Its most important aspect, of course, is the proof of Robert Kennedy's secret quest for the truth about Dallas. That is an important contribution with which to rebut the opposition's argument of: "Well, why didn't Bobby do anything?" We can finally dispose of that question in a truthful and forceful way, writes Jim DiEugenio.
Arthur Schlesinger obituary, with additional remarks.
Jim Douglass's magisterial and moving essay on Malcolm X's final year, the threat that his new vision and mission posed to the Establishment, and the forces which arrayed themselves to bring about his murder.
[Holland's] analysis ... is fated to be washed away under a tsunami of recent scholarship ... Rooted in documents declassified in the wake of the public's reaction to Oliver Stone's film JFK, academics and researchers have discovered that the real JFK, despite his considerable flaws, was worlds away from the hawkish clown of Holland's (and Cockburn's) imagination, writes Gary Aguilar.
I wish Ambrose and Schlesinger had read the Review Board's declassified files ... [and] used them for their work in this volume. Until they do, Stone is completely justified in making these films and therefore keeping the historical establishment honest, writes Jim DiEugenio.