In this final installment of his review of the History Channel series, Arnaldo Fernandez concludes: “With Castro as vantage point instead of the CIA, Baer was not tracking Oswald to articulate a true picture of the past, but to drive the historical truth away.”
After mixing Oswald with the anti-Castro and CIA-backed paramilitaries of Alpha 66 in a weird pot made of “special intent to kill President Kennedy soup”, Baer keeps on blighting a big-budget TV show by ignoring the body of the evidence, writes Arnaldo Fernandez. With an insert by Milicent Cranor on the History Channel's version of the "jet effect".
Arnaldo Fernandez, assisted by Frank Cassano, returns with a review of part 4 of the The History Channel series, entitled “The Cuban Connection,” in which Baer and Bercovici stage what our authors call “a hell of a sleight of hand”: the claim that the anti-Castro Cubans collaborated with the pro-Castro, Marxist wannabe killer Oswald, in order to get rid of JFK – a collaboration the CIA and FBI completely missed.
What the Bishop-Veciana-Oswald connection may actually have involved could be hidden among the 1,100 long-suppressed CIA records related to the JFK assassination, including four of Phillips’ operational files and Veciana’s routing and record sheet, conjectures Prof. Fernandez.
An "incredibly improbable memoir ..., and the most incredible thing is how much of the story is demonstrably true", remarks Joseph Green, who further observes that "the author adopts a straightforward prose style and appears to be doing his best to give the truth as he sees it. For that he deserves some kudos."
by Wynne Johnson
John Kelin reports on the letter Antonio Veciana wrote to Marie Fonzi on the occasion of the 50th anniversary of the JFK assassination, confirming the identification of Phillips with the alias Maurice Bishop.
Antonio Veciana's letter to Marie Fonzi confirming the identification of Maurice Bishop with David Atlee Phillips.
It is not just well-written. In some places it rises to the level of extraordinarily well-written. Almost every chapter is well-planned and organized. And the book as a whole contains a completed aesthetic arc to it, writes Jim DiEugenio.