One of the most respected researchers and writers on the political assassinations of the 1960s, Jim DiEugenio is the author of two books, Destiny Betrayed (1992/2012) and The JFK Assassination: The Evidence Today (2018), co-author of The Assassinations, and co-edited Probe Magazine (1993-2000). See "About Us" for a fuller bio.
In response to a scene in John Barbour's recent film, Jim DiEugenio once again drives home the contradictions, lack of attention to scholarly standards of historical analysis, and dishonesty in the position adopted by Noam Chomsky on both JFK's presidency and the facts and circumstances of his assassination.
In the words of Jim DiEugenio: We all owe Rose Lynn Mangan a salute upon her passing. She worked the primary evidence in the RFK case like no one else did.
As I have written elsewhere, we will never really know the complete extent of Garrison’s files, because so many of them were lost, stolen or incinerated by his successor, the disastrous Harry Connick. But what did survive reduces Epstein’s weird world to rubble, concludes Jim DiEugenio.
Continuing in the direction marked out by The Assassinations (2003), this book is the latest contribution toward an interpretation of the assassinations of JFK, MLK and RFK not as isolated incidents but as related to each other. Savastano has designed the book as something of a primer, a way of getting the lay person interested in all three of these momentous murders, writes Jim DiEugenio.
Jim DiEugenio reviews the career of Edward J. Epstein, who has recently come under attack for his concoctions concerning Edward Snowden – all too familiar to students of the JFK assassination in the way they echo his equally questionable construction of Oswald as Soviet agent.
The most inadvertently humorous part of Carpenter’s pathetic essay comes at the end. There he praises Oliver Stone for helping create the declassification process of the ARRB. Why is that funny? It's funny because this essay does not use any of those ARRB declassified documents it credits Stone for releasing, quips Jim DiEugenio.
The author tried to get more than one journalist to either write an article or a book on this case. In the end, he ended up having to do both. That tells us a lot about the state of the media in this country. But this book tells us more. The vast majority of readers who read this review will likely be surprised at the facts and events described herein, avers Jim DiEugenio.
If Shaw had restrained himself, or if he had had an editor to point out the problems with his design, then this would have been a good and valuable book about Dorothy Kilgallen: who she really was, what we know and do not know about her death. But such was not the case. I would actually recommend Sara Jordan’s informative and objective essay instead, concludes Jim DiEugenio.
Because of its innumerable textual and sourcing problems, Tye's book is neither worth reading nor buying, concludes Jim DiEugenio, who is prompted to muse: "Why did the author write the book? Only he can answer that question".
Whoever decided that this script needed to be played out on the wide screen of a darkened theater was simply wrong. It seems that the writer and director realized that mistake on the way to production. They then tried to justify that decision. In this reviewer’s opinion, it did not work, writes Jim DiEugenio.