As I have written elsewhere, we will never really know the complete extent of Garrison’s files, because so many of them were lost, stolen or incinerated by his successor, the disastrous Harry Connick. But what did survive reduces Epstein’s weird world to rubble, concludes Jim DiEugenio.
Jim DiEugenio reviews the career of Edward J. Epstein, who has recently come under attack for his concoctions concerning Edward Snowden – all too familiar to students of the JFK assassination in the way they echo his equally questionable construction of Oswald as Soviet agent.
The most inadvertently humorous part of Carpenter’s pathetic essay comes at the end. There he praises Oliver Stone for helping create the declassification process of the ARRB. Why is that funny? It's funny because this essay does not use any of those ARRB declassified documents it credits Stone for releasing, quips Jim DiEugenio.
In the second installment of this book review/essay, Jeff Carter focuses on questions of authenticity, alteration, and the NPIC analyses which occurred over the week-end of the assassination but which the CIA later tried to deflect and all but make disappear from the record.
In the first part of this projected multi-part series, the author reviews Oswald's "defection" to the USSR in the light of Cold War games and his possible connection to them, and proposes an interesting twist on what the role of his stay there may have been.
By Michael Best, At: Muckrock
The first in a two-part installment in which Jeff Carter reviews a book that "reveals some new – albeit not earth-shattering – information", but is also "imbued with a certain partisanship, not limited to family interests, which dulls the author’s critical thinking in some key areas."
Extralegal assassinations, unwarranted domestic surveillance, interventionist wars at the behest of corporate interests, torture or other activities of that stripe – these all have their roots in the Dulles era in which covert, corporate power developed into a well-oiled and unaccountable machine running roughshod. These dark forces have continued to operate regardless of who is elected president; and the refusal to face them has caused the Democratic Party to lose its way, writes Alex Sill.
Because Beatty has made some distinguished historical films, many had high hopes for this one. But the result seems to be rather uninspired for a film that he has contemplated doing for so long. The best one can say is that it is competently made, writes Jim DiEugenio.