After mixing Oswald with the anti-Castro and CIA-backed paramilitaries of Alpha 66 in a weird pot made of “special intent to kill President Kennedy soup”, Baer keeps on blighting a big-budget TV show by ignoring the body of the evidence, writes Arnaldo Fernandez. With an insert by Milicent Cranor on the History Channel's version of the "jet effect".
Joe Green assesses Vince Palamara's latest effort, concluding, "much of the material, especially the historical background work that the author has done with the agents themselves, is invaluable. And his persistence in attacking the work of Blaine/McCubbin/Hill is thoroughly admirable, if for no other reason than to continue our collective insurgency against the falsified historical record that the establishment wants to carve into stone."
For many, many years now Holland has been ignoring the declassified records of the ARRB. Even when he was supposed to be reporting on those files. The fact that he still does so, even on the eve of their final disbursement, tells us all we need to know about him, concludes Jim DiEugenio.
Arnaldo Fernandez, assisted by Frank Cassano, returns with a review of part 4 of the The History Channel series, entitled “The Cuban Connection,” in which Baer and Bercovici stage what our authors call “a hell of a sleight of hand”: the claim that the anti-Castro Cubans collaborated with the pro-Castro, Marxist wannabe killer Oswald, in order to get rid of JFK – a collaboration the CIA and FBI completely missed.
With the assistance of Frank Cassano, Arnaldo Fernandez continues the critical tracking of this History Channel series – apparently no longer being aired in the United States – with a review of part 3, “Oswald Goes Dark”.
While advertising ad nauseam that his “new investigation” uncovers “new evidence”, Baer remains tethered to a pair of fallen trees: The Warren Commission Report and the Red conspiracy theory masterminded by the CIA. Both have long been knocked down, writes Arnaldo Fernandez.
Bob Baer announces his "Shenonism" by presenting long-known facts as somehow exciting new findings. He then conveys them to the viewer as a big deal, because the Warren Commission couldn’t grasp them. Baer simply overlooks or—even worse—sweeps under the carpet all the sound research performed after the JFK Records Act, writes Arnaldo Fernandez.
In the second installment of this book review/essay, Jeff Carter focuses on questions of authenticity, alteration, and the NPIC analyses which occurred over the week-end of the assassination but which the CIA later tried to deflect and all but make disappear from the record.