[His] statements, to say the least, are not the pre-recorded stock answers that advisers beat into their bosses. Whatever one thinks of them, they show that, at least for right now, Ventura is his own man. And only that type could have made the remarks he did – to an audience of 3.4 million readers – on the murder of President Kennedy, writes Jim DiEugenio.

Jim DiEugenio looks closely at the record of one of the earliest critics, Edward Epstein, and questions whether he was ever a critic at all. Epstein's later work showed him to be little more than a wonk for the establishment. So how good was his first book, Inquest? DiEugenio answers that and other questions about Epstein, and talks about Epstein's work with the CIA and notably, James Angleton.

An excerpt from some of John Newman's groundbreaking work on the Oswald imposter in Mexico City.

Jim DiEugenio reports on his research into the Rose Cheramie story.

The following is not polemics. It is actually history. It tells the truth about an important event. But as it does so, it reveals the true character of the men who helped mold it: Eisenhower, Allen Dulles, Lumumba, Thomas Dodd, Joseph Mobutu, Hammarskjold, Moise Tshombe, Cyrille Adoula, Johnson and, primarily, JFK – writes Jim DiEugenio.

Jim DiEugenio writes about reporter Gus Russo and how he became a corporate mouthpiece when reporting about the JFK assassination.

Transcript of speech made by Robert Tanenbaum at the Chicago Symposium on the JFK assassination in 1993.

The declassified files of the HSCA reveal how Blakey, unlike Richard Sprague, manoeuvered the committee away from investigating the role of the CIA and toward a predefined conclusion, reports Jim DiEugenio.

Jim DiEugenio provides a brief history of the film's ownership on the occasion of its release to the public domain on video tape.

An early draft of material on the Tippit murder later incorporated into John Armstrong's Harvey & Lee.