In response to Tim Weiner’s hatchet job on JFK Revisited: Through the Looking Glass in Rolling Stone magazine, Jim DiEugenio exposes the false alternatives and hypocrisy used in this review, which ignores the work of the Assassination Records Review Board and other new evidence presented in the film.

Jim DiEugenio responds to Alecia Long’s latest foray into JFK assassination disinformation by correcting her obvious mistakes and oversights and exposing her brazen attempts at misdirection in reviewing Olive Stone’s new documentary JFK Revisited: Through the Looking Glass.

Oliver Stone and Jim DiEugenio reply to Tim Weiner’s review of “JFK Revisited: Through the Looking Glass” published in Rolling Stone magazine, correcting the statements regarding Russia, Jim Garrison, and the Assassination Records Review Board documents.

Dennis Bernstein, at:  CounterPunch

Oliver Stone’s interview with Paris Match, translation provided courtesy of Bill Simpich via Google translate.

at Global Research, The Assassination of Robert F. Kennedy, and The Assassination of John F. Kennedy

Joseph Green reviews Oliver Stone’s new book Chasing the Light and demonstrates how it reveals a man who is passionately engaged with the world and an artist who allows a rare, detailed look into his process.

Jim DiEugenio reviews the career of Chris Matthews upon his resignation from MSNBC, asserting, “I cannot help but wonder who will replace him, and if that person will be any kind of an improvement. I would think he or she could not be much worse.”

In response to a recent article which he characterizes as “a compendium of every MSM caricature of Garrison and his Kennedy case that one can imagine”, Jim DiEugenio revisits the New Orleans DA's career and his JFK case, and what the ARRB and subsequent research has revealed about it.

Maddow’s staff fished out some archival footage from NBC, did some research on Pettit, got permission to show parts of JFK and called up Shenon. This results in nothing but aimless and uninformed banter, and is pretty much symptomatic of the MSM’s attitude toward these releases, writes Jim DiEugenio.