In this remarkable Pacifica interview from the Sixties, Mort Sahl reveals how his career was ruined, as he lost two broadcast programs in Los Angeles and he was blackballed—not due to ratings, which were good, but because he would not be quiet about the JFK assassination.

Thanks to David Giglio at Our Hidden History for this transcript, which reveals more of the censorship of the JFK case by the media.

The Italian version is published at: L'AntiDiplomatico. The English transcript can be read here.

Listen to the interview with the full transcript by David Giglio at Our Hidden History.

 Video clip about John Barbour's latest film and write up by George Knapp, on: Las Vegas Now

Jim DiEugenio speaks to David Giglio on "The JFK Assassination in the Press & the Public Eye".

For many, many years now Holland has been ignoring the declassified records of the ARRB. Even when he was supposed to be reporting on those files. The fact that he still does so, even on the eve of their final disbursement, tells us all we need to know about him, concludes Jim DiEugenio.

As I have written elsewhere, we will never really know the complete extent of Garrison’s files, because so many of them were lost, stolen or incinerated by his successor, the disastrous Harry Connick. But what did survive reduces Epstein’s weird world to rubble, concludes Jim DiEugenio.

Jim DiEugenio reviews the career of Edward J. Epstein, who has recently come under attack for his concoctions concerning Edward Snowden – all too familiar to students of the JFK assassination in the way they echo his equally questionable construction of Oswald as Soviet agent.

The most inadvertently humorous part of Carpenter’s pathetic essay comes at the end. There he praises Oliver Stone for helping create the declassification process of the ARRB. Why is that funny? It's funny because this essay does not use any of those ARRB declassified documents it credits Stone for releasing, quips Jim DiEugenio.

Extraordinary, mostly never before seen photos, and a valuable document annex accompany Michael Marcades' narrative about his search for his mother, a time-consuming, courageous, and honest undertaking which gives us a picture of this unfortunate woman warts and all, concludes Jim DiEugenio.