Milicent Cranor refutes John Canal's claim that the back-of-the-head JFK autopsy photo was taken after the morticians reconstructed the head, supposedly moving the scalp from the back to the front, dragging with it the entrance wound, and covering up bone damage.
Because of its innumerable textual and sourcing problems, Tye's book is neither worth reading nor buying, concludes Jim DiEugenio, who is prompted to muse: "Why did the author write the book? Only he can answer that question".
At: maryferrell.org
Read the letter at: The Washington Post
See "Our Plans", At: The Hidden History Center
In tribute to Dr. King, we rerun three of the best pieces from Probe magazine concerning the civil trial in Memphis which concluded by exonerating James Earl Ray of King's murder.
By Michael Overall, At: Tulsa World (originally published November 22, 2013)
Presentation given at the 2014 AARC Convention on the 50th anniversary of the Warren Report, Sept 25-27, 2014.
Extralegal assassinations, unwarranted domestic surveillance, interventionist wars at the behest of corporate interests, torture or other activities of that stripe – these all have their roots in the Dulles era in which covert, corporate power developed into a well-oiled and unaccountable machine running roughshod. These dark forces have continued to operate regardless of who is elected president; and the refusal to face them has caused the Democratic Party to lose its way, writes Alex Sill.
Whoever decided that this script needed to be played out on the wide screen of a darkened theater was simply wrong. It seems that the writer and director realized that mistake on the way to production. They then tried to justify that decision. In this reviewer’s opinion, it did not work, writes Jim DiEugenio.
This author would not walk across the street to see Posner speak about either the JFK or King case. I have a hard time thinking that Stone could master the JFK case in just a matter of 3-4 years, and am skeptical of the case made against Lyndon Johnson. In watching this confrontation it appears I was correct about these suspicions, laments Jim DiEugenio.
Because Beatty has made some distinguished historical films, many had high hopes for this one. But the result seems to be rather uninspired for a film that he has contemplated doing for so long. The best one can say is that it is competently made, writes Jim DiEugenio.
Aside from Shane O'Sullivan's mostly worthwhile Killing Oswald, there has been very little of note that has even attempted to counter the MSM's seemingly endless deluge of propaganda with reliable evidence and solid reasoning. A Coup in Camelot clearly aims to fill that void. Unfortunately, however, it falls considerably short of the mark, writes Martin Hay.
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